Mixing & Effects

Once your clips are arranged, mixing is about balancing the tracks and shaping their sound. This page covers the track controls, the effects, and automation.

Track controls

Each track's header, on the left of the timeline, has the basics:

• Volume — the fader sets how loud the track is.
• Pan — just under the fader, places the track in the stereo field, from left to right. It's an equal-power control, so the level stays even as you pan.
• Mute — silences the track. (When it's muted, the button offers to Unmute.)
• Solo — plays only the soloed track(s) and silences the rest. (When it's soloed, the button offers to Unsolo.)

The overall level of your finished mix is shown by the master output meter.

TIP

To set an exact level, double-click a track's gain number to type a value in decibels (dB), or double-click the master volume readout in the transport bar to type the master level.

Track FX

Select a track, then open the Track FX tab in the bottom panel to shape that track's sound. (If nothing is selected, the panel prompts you to "Select a track to edit its Tone, Filter, Compressor, and Reverb & Delay.")

• Tone — a three-band EQ with Bass, Mid, and Treble. Boost or cut each band; double-click a band to reset it to 0 dB.
• Filter — a single DJ-style sweep that runs from a low-pass filter (LPF), through off in the centre, to a high-pass filter (HPF). Perfect for build-ups and drops. Double-click to recentre it (off).
• Compressor — a single-knob control for gentle dynamics, evening out the level.
• Reverb and Delay sends — how much of this track is sent to the shared project effects (below).

Project FX

The Project FX tab holds the song-wide effects that every track can send to:

• Reverb — a shared reverb for a sense of space.
• Delay — a shared, tempo-locked echo.

Each track decides how much of itself to feed into these using its Reverb and Delay sends in Track FX. This shared setup is what lets several tracks sit in the same "room" together.

Automation: changing settings over time

Most controls don't have to stay fixed — you can automate them so they change across the timeline. This is how you create a slow filter sweep, a fade, or a pan that drifts across the stereo field.

Open a collapsible automation lane under a track — using the automation toggle on the track header — and draw a breakpoint curve — a line with points you can shape. You can automate:

Screenshot placeholder — replace with: a track on the timeline with its automation lane expanded underneath, showing a breakpoint curve (for example a filter sweep) with a few editable points.

• Filter
• Pan
• Tone — Bass, Mid, and Treble
• Reverb and Delay sends
• Compressor
• Gain — an overall track level applied after the effects

Working with automation points:

• Add a point by clicking on the curve; drag points to shape it.
• Delete a point by right-clicking or Alt-clicking it.
• Nudge a selected point with the arrow keys.
• Raise, lower, or copy and paste a whole curve at once.

Each Track FX control also has an A button to automate it directly: the control's slider sets the resting value, and a drawn curve overlays it over time. While a curve is active, the slider follows the automation as the track plays, so you can watch each control move. Automation plays back live and renders exactly the same way in your exported mix.